Hero Image

Your Story Deserves the Right Color.

Crafting Color-Driven Visuals That Elevate Storytelling in Film & Digital Media.

Crafting Color-Driven Visuals That Elevate Storytelling in Film & Digital Media.

Hero Image

Your Story Deserves the Right Color.

Crafting Color-Driven Visuals That Elevate Storytelling in Film & Digital Media.

SHOWREEL

SHOWREEL

SHOWREEL

SHOWREEL

HIGHLIGHTS

HIGHLIGHTS

HIGHLIGHTS

HIGHLIGHTS

Western

Red Horizon is a stylized visual short that draws from the raw silence and sunburned grit of the classic Western. It’s about posture, shadow, and mood not narrative. Every frame is treated like a photograph, textured by dust and heat.

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Western

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Vntage Car

This short visual piece explores isolation, tension, and fleeting human connection through soft framing and expressive color. The Edge of Silence leans into visual storytelling with minimal movement and maximum mood. Shot handheld in natural daylight, the challenge was to build atmosphere without artificial lighting or dialogue.

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Vntage Car

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Music Video

A music video built on rhythm, texture, and controlled chaos. This piece demanded a grade that could hold visual tension combining moodrich lighting with sharp contrast and bold hues. The result is an energetic, cinematic finish that amplifies the performance.

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Music Video

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Wedding

A poetic visual highlight of a wedding day, Veins of Dust focuses on moments over motion capturing the emotional weight of quiet glances, soft light, and fleeting touches. The film is structured as a visual memory, with a warm, grounded palette and textural finesse.

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Wedding

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Cold Norway

Frozen Echoes captures the awe-inspiring stillness and natural grandeur of Norway’s remote landscapes. The grading approach focused on honoring the rawness of the visuals pulling out subtle shifts in snow, water, sky, and stone without oversaturating or flattening the mood.

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Cold Norway

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Documentary

A cinematic exploration of silence, motion, and emotion through light. This short visual study captures fleeting moments of a young protagonist in a contemplative atmosphere. The entire footage was graded from flat LOG video, focusing on skin tone preservation, cinematic contrast, and cohesive mood building.

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Documentary

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Hotel Diner

A Quiet Fire is a cinematic short crafted around subtle tension, ambient energy, and visual storytelling through light. Shot in a natural location with strong directional sunlight, this project demanded a grading style that enhances depth without overpowering the narrative stillness.

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Hotel Diner

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Fashion

Shadow & Shape is a high-concept fashion video focused on geometry, grace, and texture. The goal of the color work was to complement clean wardrobe design with bold but refined contrast allowing fabric movement, form, and skin tone to take center stage.

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Fashion

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Blind Date

First Glance captures the emotional tension of two strangers navigating a blind date where body language and subtle reactions do the storytelling. The color grade focused on natural light realism with a touch of warmth to elevate intimacy.

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Blind Date

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Bike on Mountain

Through the Dust is a visually driven short capturing the rawness of motorcycle riding through an unfiltered jungle trail. Shot in natural light with earthy textures and kinetic energy, the film required a color treatment that enhanced realism while preserving the organic look of the landscape.

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Bike on Mountain

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SERVICES

SERVICES

SERVICES

SERVICES

Services built on passion for cinema, obsession with color, and dedication to detail.

Color Grading

High-end cinematic color grading for short films, features, ads, and music videos — bringing out the emotion and style in every frame.

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Color Grading

High-end cinematic color grading for short films, features, ads, and music videos — bringing out the emotion and style in every frame.

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Color Correction

Technical color balancing and repair — matching shots, fixing exposure and white balance to ensure visual consistency.

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Color Correction

Technical color balancing and repair — matching shots, fixing exposure and white balance to ensure visual consistency.

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Look Development

Creating unique color palettes and visual styles that match your project’s tone — from reference matching to mood setting.

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Look Development

Creating unique color palettes and visual styles that match your project’s tone — from reference matching to mood setting.

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Conform & Finishing

Preparing your final output with precision — conforming edits, mastering formats, applying final tweaks for broadcast/web delivery.

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Conform & Finishing

Preparing your final output with precision — conforming edits, mastering formats, applying final tweaks for broadcast/web delivery.

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ABOUT ME

ABOUT ME

ABOUT ME

ABOUT ME

Crafting Color That Connects

I believe color is more than a finishing touch it's a language.
Every frame I work on is an opportunity to shape emotion, deepen narrative, and bring out the soul of the story.

My approach to color grading is rooted in both technical precision and artistic instinct, guided by the tone, rhythm, and intention behind each project.

From Editing to Color Storytelling

I started out exploring video editing, but I was drawn to the power of color how it can transform mood, amplify storytelling, and leave lasting impact.

What began as curiosity turned into a profession I’m deeply passionate about.
From short films to cinematic campaigns, I now collaborate with filmmakers, agencies, and studios to elevate their visuals with refined color design.

Inspired by Cinema & Life Around Me

When I’m not in DaVinci Resolve, you’ll find me watching films frame-by-frame, shooting street stills, or geeking out over LUTs and film stocks.
I draw inspiration from cinema history, visual culture, and the vibrant contrasts of everyday life.

This balance of obsession and observation fuels my process because to color is to see differently.

Curious? Check Out the Scoop! (FAQs)

What do you need from me to start a color grading project?

What’s the difference between color correction and color grading?

What kind of projects do you work on?

How long does a project typically take?

Do you offer revisions?

Can you match a specific film or reference look?

What software do you use for color grading?

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